Going Greek. Sort of.

The upcoming reign is a classical Greek reign, which is why I'm furiously working on garb for this weekend, which is Coronation.  After raiding Walmart for sheets (they make fantastic peplos!), I realised I needed to have something to actually turn a bedsheet into piece of clothing.

I raided my jewellery box, and unfortunately nothing.

Go go gadget research (and a Pinterest trawl), and I found this - and while I don't have a forge, I do have wire.  A lot of wire.  And a hammer.  And a bit of patience.

Behold my faint copy.  It will do in a pinch (Coronation is tomorrow morning), but for quick and dirty and won't ruin my new bedsheets too much, I've got four fibulae and time to work on getting my house back to some semblance of working order after being gone for essentially a month. 

While I was gone, I got to go play with the Norse at L'Anse aux Meadows in Newfoundland and Labrador, Canada.  L'Anse aux Meadows is known as the first Norse settlement in North America (done in the 8th century), where western and eastern migration met again when the Norse and the Beothuk met to trade.

I got some photos of the recreations at Norstead (not far from where Leif Ericsson and his people settled, actually) and L'Anse Aux Meadows.  Let me tell you - there is nothing cooler than seeing a sod longhouse with icebergs in the distance.  It really helps capture history in a unique way.

In addition to this, I also went to the former Colony of Avalon, and saw some beautiful beads that were used in rosaries, as well as some used in trade.  The Colony of Avalon is from the other end of the spectrum - early to mid-17th century, however, many of the items found dated from SCA period

I'm really inspired to work on something from my period, and then some.  I also received some gorgeous silk that needs to be made into garb, and soon.

I've also been asked to work on some items for the kingdom's Pennsic gift basket to Caid.  Once these are complete, I'll be posting them.

Welcome home, inspiration.

Sorry for the Absence!

2013-11-02-1145, a photo by vhersch_rhianydd on Flickr.

I've had to get some non-SCA life things in order, hence my absence. Let's get caught up, shall we?

A couple of reigns ago, there was a blank border contest. I entered, and won third place for this entry.

Fast forward to a couple weeks ago. A well-deserving lady was awarded the Calon Cross. The scroll was turned around - and the realisation hit.

I painted the scroll.

Talk about a really cool thing, right?

Queen's Prize Entry

100_3282, a photo by constantiak on Flickr.

It is time for Queen's Prize here in Calontir! This is the novice-level A&S event of the year here.

My original plan fell through - encaustic takes time and money that after a trip out of the country and sixty-hour workweeks I didn't really have, so I switched gears and did traditional scribal. I did want to keep it Byzantine (because, hi, me), so I went with this page from the Rabbula Gospels that depicts the apostles and Christ talking about who would replace Judas.

Not much is known about the artist (or for that matter, studio) who painted the Rabbula Gospels, other than his name was Rabbula.  The extant is on parchment (in the photos, the animal's markings are even seen).

Instead of going with this idea and doing a full-blown replica, I went with the idea of past imparting wisdom to the future, by using the first five kings and queens of Calontir speaking to the current king and queen of Calontir.

From the top, going clockwise - Arwyn and Chepe (1st), Cire and Elisabeth (4th), William (Humpk) and Mammara (3rd), Damien and Issabell (60th and as of this writing, current king and queen of Calontir), Asgeirr and Miriam (5th), and Shadan and Erzebet (2nd).

It is unusual to have the men and women in such close quarters, given how segregated Byzantine society was between women and men, and it is doubly unusual to have the women not veiled.  In hindsight, I probably should have veiled the women (modesty was a big deal in Byzantium, especially in the 5th and 6th centuries, and there's an example in the Rabbulas of Mary being completely covered, however, it appears that she is in mourning), however, looking at the royal ladies of Theodora's court in comparison, they're about as covered, though I will point out that the artist may be illustrating the difference in class.

One cool thing I found out is that the extant is just shy of 13"x10", or about the size of the perg (which is close at 11"x14", though this was due to being trimmed to be rebound. That was a really happy day, lemme tell you.

It is commercially produced gouache (Royal Talens) on pergamenata (purchased from John Neal Booksellers).

I am pretty pleased with this piece, though I really need to draw the figures bigger to fill the space better.

If you would like to see the step-by-step process, the scroll diary can be found here: http://www.flickr.com/photos/belle-etoile/sets/72157634999333773/

Additionally, my documentation can be found here.

Spirals and sunflowers . . .

The surprise I was hiding was the item for my recipient for this round of Noblesse Largesse.  My recipient does Rus.  And I might have exhausted a bunch of non-jewellery options (sometimes I feel I put myself into too much of a jewellery-themed box) before I came back to jewellery.

So, I made temple rings.  The bottom set is based on the Viatachi-style rings, which are pretty much spirals with a hook going in the opposite direction, and the other set is inspired by sets found near the upper Volga River (link to an interesting site about temple rings is here).  The wire I used is commercially drawn permanently coloured copper wire in either 14 or 16 gauge.  (I don't remember which one it is, but it is very thick and somewhat difficult to work with, but I like the results.  And the metal beads were on sale - they remind me a little of sunflowers with the large round middle encircled with petals.  I shaped these with pliers, and with the rings with the beads on them, put the beads onto the wire, and then shaped it just enough so that the beads wouldn't move around a lot.  They still move, and had I experience in using a soldering anything, it may have turned out differently.

One of the things I found was that gold and silver were both appropriate for use in this context.  Studying Byzantine art and jewellery, it almost all seems to be gold, so finding silver, and getting a chance to play with it within the context of a similar culture really is fun.

Photo by Ms. Rhianydd
(V. Herschell - https://www.flickr.com/photos/vhersch_rhianydd/)

In other news: I was given admittance to Calontir's Order of the Calon Cross for my work with Noblesse Largesse.  I am beyond ecstatic.  To the right is my scroll, painted and lettered by HL Neathery of Safita, and the scroll text by Master Andrixos Seljukroctonis.

Still, there is always work to be done.

Seriously.

I have two necklaces to complete prior to 

Photo by Ms. Rhianydd
(V. Herschell - https://www.flickr.com/photos/vhersch_rhianydd/)

May 24th - one for an auction at Horse and Falcon, the other for a raffle for Lilies Gate volunteers.

And then a banner for my barony.  And a banner for my lord.  There's a lot still left to do.  But, it's worth it.

One thing I've learned is that time management skills never get any easier.  On the other hand, the quest for fun and knowledge do wait.  And there's so much more to learn and do and have fun with.