Gulf Wars Largesse

This year, I was requested to make something "kickass" for a largesse gift basket for Their Majesties Calontir to give to their recipient kingdom.  It didn't have to be big.  But it did have to be neat.

So, given that my mundane job has taken up much of my spare time (I'm actually writing this on a very rare snow day), it needed to be something that would work well.  The receiving kingdom is currently in a dual reign: 14th century English, and early Muromachi-period Japan (which corresponds to about the 14th century through the 16th century at the late end).  While this complicated things, it also gave me some ideas.

You see, I found those glass veil pins from the 12th century (with similar ones made in the mid-14th century that were excavated in London).  And purchased some more wire and played.  The wire I purchased is not what I wanted to use: it's coated copper wire, which  was scraped off when I sanded the pins into shape, but, I'm otherwise pleased.  They're a bit big for veil pins, but there are other things to use pins for, including attaching items to clothing and to act as decorative items.

I will hopefully have a tutorial on how to make these soon, once I have someone who can photograph me making the pins themselves.  (operating a camera with hot glass is not recommended.)

There are more projects to come - I just have to have the right items picked up for those, including a duo of diamond point engraved goblets, which there will be a tutorial on, as well.

But, I have go sharpen brass to make some new veil pins - maybe some for my etsy shop!

A Panoply of Scrolls (and other things)

I've been juggling a couple of things lately, including three scroll commissions from the outgoing queen of Calontir, and learning how to use my new lampwork torch.  I also entered a blank border contest.

So, after my trip to the Middle East, I was inspired by the many, many, many Qu'ran pages I saw at Qatar's Museum of Islamic Art, as well as this page that I saw on Pinterest.  One thing I liked about this particular page was the variety of colour, as well as the ability to modify it somewhat for SCA use.  In the future, I think I'll add more bars, like what is in the extant (which is a 13th century Persian Qu'ran), but I'm otherwise pleased with this.  There's so many techniques to try and learn (I suspect the extant also has gold leaf, which I really must learn to do soon).

While that was being worked on, I also received a commission for three separate scrolls, and for a very important client: the sitting Queen of Calontir.  She expressed that she wanted something French, but she also wanted to personalise the scrolls a bit, as the recipients were for the Queen's Endorsement of Distinction.  The Queen's Endorsement of Distinction is listed as such on the Calontir Awards page:

As the patroness of all gentle and courteous behavior, the Queen of Calontir may, at her own discretion, bestow this recognition upon some few individuals. It may be given only thrice during any one reign, and only once in each category:
1. Unto the individual combatant or archer who has shown the highest of chivalric behavior;
2. Unto the individual who has best exemplified gentle and courteous behavior; and
3. Unto the individual who best exemplified the ideals and goals of the Society.
The Queen may bestow any or all of these recognitions as she chooses. She may bestow upon those individuals a badge of her own initials entwined with a rose, constructed as she desires. Members may place the initials QED after their names. Individuals may be so honored by more than one queen.

So, each scroll is personalised - one with bees, one with an archer and bunny, and the third with a later period knight.  I'm pleased with how they turned out.  You can see them here.  There was a part of me that wanted to add some more marginalia, and there's a lot more vining and detail that I could have added that in the future for a scroll from 14th century France really should have. On the other hand, each recipient loved their scroll.

Scribal work feeds both my service needs and my arts niche.  It's a lot of fun, but definitely takes a steady hand and a gentle heart.

My new lampwork torch and supplies have been a lot of fun - I've been making beads and veil pins and all sorts of glass fun.

There's a lot that I still can't remember or don't have all of the supplies to do, but the evening I figured out how to enrobe beads in clear glass very much made my day.  It's a bit of a challenge, really - it's making sure the glass is warm enough that it doesn't crack, but cool enough that the clear glass doesn't deform the cooling glass underneath.  It's a challenge, but the results are beautiful.
The veil pins, though - fun!  I found some 12th century veil pins (here) with glass that appeared to be wound around the brass. I used 18 gauge brass wire, hammered it in two directions, making sure to flatten and spread the wire a little bit to keep the glass on the pin, and then cut the wire at an angle.  After the pin is worked, the metal was heated slightly while being held in pliers to prevent thermic shock, and then the hot glass was added to the pin.  I then let them cool down in a heat blanket.

In the future, keeping the pin round, but work hardened will be work to figure out, but I look forward to the challenge.

Scarab Rings, Pinterest, and You . . er, Me.

Sometimes, I go on Pinterest trawls.  I find awesome things.  Including scarab rings (which are a bit out of period/location for my persona), but also other sorts of rings, including one with a completely wire-wrapped band, intaglio rings with essentially a bead, and plain wire rings.

I was given a carved bead to work with about a year ago, and I wasn't sure what to really do with it until today, when I saw the scarab ring on Pinterest and decided to experiment.


Most of the time, when I experiment, I end up having to try a couple of times to get the results I want.  No exception here.  I first tried with 20 gauge Artistic Wire, and I found it difficult to get enough of a wrap on the bead to stabilise it.  So, I removed that, and went with 22 gauge non-tarnish brass wire, which is a little thinner, and a little less flexible, because of the nature of the brass itself, and just passed it through the bead hole twice.  In period, rings like this are almost all universally made of gold, as far as I've researched.  Gold is a much more flexible material and can be pulled, twisted, wrapped, and manipulated much easier than brass can be.  You'll notice that I also wrapped the brass wire around the scarab bead to keep it from moving around too much.  After all of this, I started to wrap the ring itself, stopping when the wires met each other at the bottom of round.  I then clipped these short and then smooshed (it's a technical term) them so they would lie flat and not get caught on anything.

The ring itself is large enough to wear comfortably on my left pointer finger, but as it's not really my period, I'm going to tuck this away for some largesse basket for my kingdom to give.  I'd be interested to see where this little guy goes off, and hear all of the adventures it has.

I now also have a great way to use up orphan beads, and it really didn't take too long.  In fact, I managed to make another ring today using some of the same techniques as this one, but that one looks quite a bit more suited for modern tastes.